Acrylic Polymer on illustration board, 16×23”.
From “The Shadow Out of Time” by H.P. Lovecraft.
Acrylic Polymer on illustration board; 16×20”.
Cover illustration for Cemetery Dance Magazine.
Oil on canvas; 28x36"; August-September 2024.
Oil on canvas; 20 x 30". Finished on August 11, 2024.
26x26”; oil on canvas.
The maple tree in my backyard one late Winter evening after a snowfall, under a full moon.
Oil on canvas, 30x20".
Oil on canvas, 32x38”
Watercolor; 14x20”
Watercolor, 20x14”
Oil on canvas, 32x24” (Sold)
Egg tempera on panel, 20x17”.
Watercolor; 14x20”.
Acrylic Polymer & ink, 9x5”
Latex enamel on aluminum. Sport-team-related aircraft art identifying that the helicopter detachment was serving aboard USS Seattle (AOE-3).
Oil on canvas, 32x24” (Sold)
Oil on canvas, 30x20”
Watercolor; 14x20” (2005).
Acrylic Polymer, 8.5x11”
Acrylic Polymer, 8.5x11” (Sold)
Acrylic Polymer, 8.5x11” (Sold)
Acrylic Polymer & Ink, 8.5x11” (Sold)
Oil on canvas, 16x28” (Sold)
Ink and watercolor, 5x3”.
Acrylic Polymer, 8.5x11”
Oil on canvas, 20x30”. I decided in 2014 to resume oil painting, at the Beverley Street Studio School, after a pause of forty years. This was one of the first stumbling attempts. (Sold)
Oil on canvas, 20x30” (2014). Sold.
Oil on canvas, 24x32”.
After two years of classes at the BSSS, I was starting to get the hang of the “still-life in oil” thing.
Acrylic Polymer, 8.5x11” (Sold)
9x11”; oil on unstretrched canvas (1975).
Acrylic Polymer & Ink, 8.5x11” (Sold)
Watercolor and ink, 8.5x5.5”
Egg tempera on panel, 16x20” (Sold)
Oil on canvas, 30x20” (Sold)
Ink and watercolor, 7x5”.
Acrylic Polymer & Ink, 18x28”
Oil on canvas, 34x24”
Oil on canvas, 20x30” (Sold)
Acrylic Polymer & ink, 8.5x11” (Sold)
Acrylic & Ink; 11x8.5” (Sold)
Oil on canvas, 42x32”
Watercolor, 20x14”
Watercolor, 16x12” (Sold)
Acrylic Polymer & ink, 8x10”
Acrylic gesso & pencil on canvas, 36x36”. (NFS) .
The work of Robert Ryman always drew me in. I decided to do this minimalist painting as a nod to him. “Painting is material process. Painting has inherent physical limitations. Painting can be (almost) pure thought.”
Watercolor, colored pencil & Ink; 5x7”
Watercolor, 20x14” (Sold)
Oil on canvas, 30x20” (Sold)
Oil on canvas, 30x20” (Sold)
Acrylic & Ink; 11x8.5” (Sold)
Acrylic on board, 32x32”; destroyed in a house fire.
Oil on canvas, 30x20”. (Painted over)
Acrylic Polymer; 8.5x11”
Oil on canvas; 30x20” (Sold)
Oil on canvas; 30x20” (Sold)
Watercolor, colored pencil & Ink; 7x5”
Watercolor, 20x14”
Acrylic Polymer; 8.5x11” My daughter posed for this. I changed her appearance quite a bit to suit the book narrative, of course!
Watercolor; 20x14”
Acrylic polymer on masonite, 34x24” (Sold).
This painting was a near duplicate of an earlier unfinished painting I began in egg tempera while attending the Hartford Art School/University of Hartford. When I transferred to SUC New Paltz, NY in the Spring 1974 semester, the unfinished egg tempera painting was somehow lost in the move. Because I still had an interest in the original composition, I did it again in acrylic polymer, using the same painting techniques as the earlier egg tempera.
Ink and watercolor, 5x9”.
This is a portrait of my daughter at age 14. She just doesn’t know it!
Egg Tempera and ink on panel; 10×24”.
Oil on canvas, 30x20”
Watercolor, 20x14” (Sold)
Oil on canvas, 30x20”. (Painted over).
Oil on panel; 20×32”.
Acrylic Polymer, 8.5x11”. Thank you Paul Berthon.
Oil on canvas, 30x20”. Another BSSS studio exercise, trying to relearn how to paint in oils. I have no idea what happened to this one. I sometimes gessoed over these exercises and did another painting on top. Perhaps that was what happened here.
Acrylic polymer and ink, 16x22”. (Sold)
The cover for my novel-plus-two-stories of the same name.
Oil on canvas, 48x36” A detail of a large landscape (farm buildings with Massanutten in the background) that for some reason I never took a final photo of before selling it except for this detail!
Watercolor, 20 x 14”. The cover image for my second story collection, Down There & Others, (Crossroad Press).
Acrylic Polymer on canvas, 36 x 48”. A failed painting. I ended up gessoing over this to reuse the canvas/stretchers. You can see several elements of this painting in smaller landscapes I did after I returned to oil painting later in that decade. This canvas was eventually used in my large landscape oil painting “The Landis Farm”, which was sold at my second one-man show at the Wine-Riner Galleries in Harrisonburg, VA in 2019.
8x10”;acrylic polymer and ink. (2007?)
8x10”; acrylic polymer (2013)
Acrylic polymer and india ink; (16x20”).
Watercolor; 10x8”. From Monkey Dog by Megan Miriello