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Patriot (2024)
Patriot (2024)

Oil on canvas; 28x36"; August-September 2024.

Summer Sunrise (2024)
Summer Sunrise (2024)

Oil on canvas; 20 x 30". Finished on August 11, 2024.

Moonscape (2024)
Moonscape (2024)

26x26”; oil on canvas.

The maple tree in my backyard one late Winter evening after a snowfall, under a full moon.

House Portrait Commission (2023)
House Portrait Commission (2023)

Oil on canvas, 30x20".

Vinson Street, 4 a.m.  (2020)
Vinson Street, 4 a.m. (2020)

Oil on canvas, 32x38”

July–Mt. Sidney (2022)
July–Mt. Sidney (2022)

Watercolor; 14x20”

Tails (2013)
Tails (2013)

Watercolor, 20x14”

Overnight Snow (2017)
Overnight Snow (2017)

Oil on canvas, 32x24” (Sold)

5 Stones (2021)
5 Stones (2021)

Egg tempera on panel, 20x17”.

Surprise (2018)
Surprise (2018)

Watercolor; 14x20”.

VERTREP (1992)
VERTREP (1992)

Acrylic Polymer & ink, 9x5”

Helicopter Stub-Wing Art (1979)
Helicopter Stub-Wing Art (1979)

Latex enamel on aluminum. Sport-team-related aircraft art identifying that the helicopter detachment was serving aboard USS Seattle (AOE-3).

Noon (2017)
Noon (2017)

Oil on canvas, 32x24” (Sold)

Palette (2019)
Palette (2019)

Oil on canvas, 30x20”

Sandy Hook, NY
Sandy Hook, NY

Watercolor; 14x20” (2005).

Children of Epiphany (2004)
Children of Epiphany (2004)

Acrylic Polymer, 8.5x11”

The Marsh Devil (2005)
The Marsh Devil (2005)

Acrylic Polymer, 8.5x11” (Sold)

Family Plots (1999)
Family Plots (1999)

Acrylic Polymer, 8.5x11” (Sold)

The College of Clowns (2005)
The College of Clowns (2005)

Acrylic Polymer & Ink, 8.5x11” (Sold)

Levitt (2014)
Levitt (2014)

Oil on canvas, 16x28” (Sold)

Mouse
Mouse

Ink and watercolor, 5x3”.

Night Creatures (2003)
Night Creatures (2003)

Acrylic Polymer, 8.5x11”

Studio Still Life – In progress (2014)
Studio Still Life – In progress (2014)

Oil on canvas, 20x30”. I decided in 2014 to resume oil painting, at the Beverley Street Studio School, after a pause of forty years. This was one of the first stumbling attempts. (Sold)

Still-Life Exercise (2014)
Still-Life Exercise (2014)

Oil on canvas, 20x30” (2014). Sold.

3 Skeins (2016)
3 Skeins (2016)

Oil on canvas, 24x32”.

After two years of classes at the BSSS, I was starting to get the hang of the “still-life in oil” thing.

Sinister Purposes (2006)
Sinister Purposes (2006)

Acrylic Polymer, 8.5x11” (Sold)

Self Portrait Sketch
Self Portrait Sketch

9x11”; oil on unstretrched canvas (1975).

The Wicked (2007)
The Wicked (2007)

Acrylic Polymer & Ink, 8.5x11” (Sold)

Illustration from Monkey-Dog by Megan Miriello
Illustration from Monkey-Dog by Megan Miriello

Watercolor and ink, 8.5x5.5”

Starless (1975)
Starless (1975)

Egg tempera on panel, 16x20” (Sold)

Fog (2018)
Fog (2018)

Oil on canvas, 30x20” (Sold)

An Irish Sheep
An Irish Sheep

Ink and watercolor, 7x5”.

A Writer's Desk (Neil Gaiman's Rules For Writing poster) (2015)
A Writer's Desk (Neil Gaiman's Rules For Writing poster) (2015)

Acrylic Polymer & Ink, 18x28”

Two Punks (2016)
Two Punks (2016)

Oil on canvas, 34x24”

Sunrise (2017)
Sunrise (2017)

Oil on canvas, 20x30” (Sold)

Undertaker's Moon (2017)
Undertaker's Moon (2017)

Acrylic Polymer & ink, 8.5x11” (Sold)

Traffic Lights Are Up! (2012)
Traffic Lights Are Up! (2012)

Acrylic & Ink; 11x8.5” (Sold)

Cow & Trucks (2018)
Cow & Trucks (2018)

Oil on canvas, 42x32”

The M on Main Street (2012)
The M on Main Street (2012)

Watercolor, 20x14”

On North Chestnut Street (1976)
On North Chestnut Street (1976)

Watercolor, 16x12” (Sold)

From "Graven Image" by Ray Garton (2007)
From "Graven Image" by Ray Garton (2007)

Acrylic Polymer & ink, 8x10”

Dromara (2008)
Dromara (2008)

Acrylic gesso & pencil on canvas, 36x36”. (NFS) .

The work of Robert Ryman always drew me in. I decided to do this minimalist painting as a nod to him. “Painting is material process. Painting has inherent physical limitations. Painting can be (almost) pure thought.”

Cellist (2009)
Cellist (2009)

Watercolor, colored pencil & Ink; 5x7”

Twin (2013)
Twin (2013)

Watercolor, 20x14” (Sold)

Glass Study – in progress (2017)
Glass Study – in progress (2017)

Oil on canvas, 30x20” (Sold)

Glass Study (2017)
Glass Study (2017)

Oil on canvas, 30x20” (Sold)

Airplanes Are Up! (2013)
Airplanes Are Up! (2013)

Acrylic & Ink; 11x8.5” (Sold)

No Wind (1975)
No Wind (1975)

Acrylic on board, 32x32”; destroyed in a house fire.

Still Life Exercise (2015)
Still Life Exercise (2015)

Oil on canvas, 30x20”. (Painted over)

Crime Spree cover edited by Deluca & Barker (2001)
Crime Spree cover edited by Deluca & Barker (2001)

Acrylic Polymer; 8.5x11”

Keezletown Road (2016)
Keezletown Road (2016)

Oil on canvas; 30x20” (Sold)

Daybreak (2015)
Daybreak (2015)

Oil on canvas; 30x20” (Sold)

Artiste (2009)
Artiste (2009)

Watercolor, colored pencil & Ink; 7x5”

Two Stacks (2013)
Two Stacks (2013)

Watercolor, 20x14”

Graveworm cover  Tim Curran (2010) (NFS)
Graveworm cover Tim Curran (2010) (NFS)

Acrylic Polymer; 8.5x11” My daughter posed for this. I changed her appearance quite a bit to suit the book narrative, of course!

Trylobite (2010)
Trylobite (2010)

Watercolor; 20x14”

Poor Charley Midwich (1973-74)
Poor Charley Midwich (1973-74)

Acrylic polymer on masonite, 34x24” (Sold).

This painting was a near duplicate of an earlier unfinished painting I began in egg tempera while attending the Hartford Art School/University of Hartford. When I transferred to SUC New Paltz, NY in the Spring 1974 semester, the unfinished egg tempera painting was somehow lost in the move. Because I still had an interest in the original composition, I did it again in acrylic polymer, using the same painting techniques as the earlier egg tempera.

Soccer!
Soccer!

Ink and watercolor, 5x9”.

This is a portrait of my daughter at age 14. She just doesn’t know it!

Landscapes (2017)
Landscapes (2017)

Oil on canvas, 30x20”

Antennae (2019)
Antennae (2019)

Watercolor, 20x14” (Sold)

Still-life Exercise (2016)
Still-life Exercise (2016)

Oil on canvas, 30x20”. (Painted over).

Serpent Girl – Frontispiece for a Ray Garton novel (2004)
Serpent Girl – Frontispiece for a Ray Garton novel (2004)

Acrylic Polymer, 8.5x11”. Thank you Paul Berthon.

Blue Glass (2015)
Blue Glass (2015)

Oil on canvas, 30x20”. Another BSSS studio exercise, trying to relearn how to paint in oils. I have no idea what happened to this one. I sometimes gessoed over these exercises and did another painting on top. Perhaps that was what happened here.

The Boneyard (2019)
The Boneyard (2019)

Acrylic polymer and ink, 16x22”. (Sold)

The cover for my novel-plus-two-stories of the same name.

The Landis Farm (2017) (Sold)
The Landis Farm (2017) (Sold)

Oil on canvas, 48x36” A detail of a large landscape (farm buildings with Massanutten in the background) that for some reason I never took a final photo of before selling it except for this detail!

Down There (2018)
Down There (2018)

Watercolor, 20 x 14”. The cover image for my second story collection, Down There & Others, (Crossroad Press).

Autumn (2013)
Autumn (2013)

Acrylic Polymer on canvas, 36 x 48”. A failed painting. I ended up gessoing over this to reuse the canvas/stretchers. You can see several elements of this painting in smaller landscapes I did after I returned to oil painting later in that decade. This canvas was eventually used in my large landscape oil painting “The Landis Farm”, which was sold at my second one-man show at the Wine-Riner Galleries in Harrisonburg, VA in 2019.

Afterlife
Afterlife

8x10”;acrylic polymer and ink. (2007?)

After The Burn
After The Burn

8x10”; acrylic polymer (2013)

The Howler (1996)
The Howler (1996)

Acrylic polymer and india ink; (16x20”).

Dog Heaven (2010)
Dog Heaven (2010)

Watercolor; 10x8”. From Monkey Dog by Megan Miriello

KMS Site page instructions.jpg
Patriot (2024)
Summer Sunrise (2024)
Moonscape (2024)
House Portrait Commission (2023)
Vinson Street, 4 a.m.  (2020)
July–Mt. Sidney (2022)
Tails (2013)
Overnight Snow (2017)
5 Stones (2021)
Surprise (2018)
VERTREP (1992)
Helicopter Stub-Wing Art (1979)
Noon (2017)
Palette (2019)
Sandy Hook, NY
Children of Epiphany (2004)
The Marsh Devil (2005)
Family Plots (1999)
The College of Clowns (2005)
Levitt (2014)
Mouse
Night Creatures (2003)
Studio Still Life – In progress (2014)
Still-Life Exercise (2014)
3 Skeins (2016)
Sinister Purposes (2006)
Self Portrait Sketch
The Wicked (2007)
Illustration from Monkey-Dog by Megan Miriello
Starless (1975)
Fog (2018)
An Irish Sheep
A Writer's Desk (Neil Gaiman's Rules For Writing poster) (2015)
Two Punks (2016)
Sunrise (2017)
Undertaker's Moon (2017)
Traffic Lights Are Up! (2012)
Cow & Trucks (2018)
The M on Main Street (2012)
On North Chestnut Street (1976)
From "Graven Image" by Ray Garton (2007)
Dromara (2008)
Cellist (2009)
Twin (2013)
Glass Study – in progress (2017)
Glass Study (2017)
Airplanes Are Up! (2013)
No Wind (1975)
Still Life Exercise (2015)
Crime Spree cover edited by Deluca & Barker (2001)
Keezletown Road (2016)
Daybreak (2015)
Artiste (2009)
Two Stacks (2013)
Graveworm cover  Tim Curran (2010) (NFS)
Trylobite (2010)
Poor Charley Midwich (1973-74)
Soccer!
Landscapes (2017)
Antennae (2019)
Still-life Exercise (2016)
Serpent Girl – Frontispiece for a Ray Garton novel (2004)
Blue Glass (2015)
The Boneyard (2019)
The Landis Farm (2017) (Sold)
Down There (2018)
Autumn (2013)
Afterlife
After The Burn
The Howler (1996)
Dog Heaven (2010)
Patriot (2024)

Oil on canvas; 28x36"; August-September 2024.

Summer Sunrise (2024)

Oil on canvas; 20 x 30". Finished on August 11, 2024.

Moonscape (2024)

26x26”; oil on canvas.

The maple tree in my backyard one late Winter evening after a snowfall, under a full moon.

House Portrait Commission (2023)

Oil on canvas, 30x20".

Vinson Street, 4 a.m. (2020)

Oil on canvas, 32x38”

July–Mt. Sidney (2022)

Watercolor; 14x20”

Tails (2013)

Watercolor, 20x14”

Overnight Snow (2017)

Oil on canvas, 32x24” (Sold)

5 Stones (2021)

Egg tempera on panel, 20x17”.

Surprise (2018)

Watercolor; 14x20”.

VERTREP (1992)

Acrylic Polymer & ink, 9x5”

Helicopter Stub-Wing Art (1979)

Latex enamel on aluminum. Sport-team-related aircraft art identifying that the helicopter detachment was serving aboard USS Seattle (AOE-3).

Noon (2017)

Oil on canvas, 32x24” (Sold)

Palette (2019)

Oil on canvas, 30x20”

Sandy Hook, NY

Watercolor; 14x20” (2005).

Children of Epiphany (2004)

Acrylic Polymer, 8.5x11”

The Marsh Devil (2005)

Acrylic Polymer, 8.5x11” (Sold)

Family Plots (1999)

Acrylic Polymer, 8.5x11” (Sold)

The College of Clowns (2005)

Acrylic Polymer & Ink, 8.5x11” (Sold)

Levitt (2014)

Oil on canvas, 16x28” (Sold)

Mouse

Ink and watercolor, 5x3”.

Night Creatures (2003)

Acrylic Polymer, 8.5x11”

Studio Still Life – In progress (2014)

Oil on canvas, 20x30”. I decided in 2014 to resume oil painting, at the Beverley Street Studio School, after a pause of forty years. This was one of the first stumbling attempts. (Sold)

Still-Life Exercise (2014)

Oil on canvas, 20x30” (2014). Sold.

3 Skeins (2016)

Oil on canvas, 24x32”.

After two years of classes at the BSSS, I was starting to get the hang of the “still-life in oil” thing.

Sinister Purposes (2006)

Acrylic Polymer, 8.5x11” (Sold)

Self Portrait Sketch

9x11”; oil on unstretrched canvas (1975).

The Wicked (2007)

Acrylic Polymer & Ink, 8.5x11” (Sold)

Illustration from Monkey-Dog by Megan Miriello

Watercolor and ink, 8.5x5.5”

Starless (1975)

Egg tempera on panel, 16x20” (Sold)

Fog (2018)

Oil on canvas, 30x20” (Sold)

An Irish Sheep

Ink and watercolor, 7x5”.

A Writer's Desk (Neil Gaiman's Rules For Writing poster) (2015)

Acrylic Polymer & Ink, 18x28”

Two Punks (2016)

Oil on canvas, 34x24”

Sunrise (2017)

Oil on canvas, 20x30” (Sold)

Undertaker's Moon (2017)

Acrylic Polymer & ink, 8.5x11” (Sold)

Traffic Lights Are Up! (2012)

Acrylic & Ink; 11x8.5” (Sold)

Cow & Trucks (2018)

Oil on canvas, 42x32”

The M on Main Street (2012)

Watercolor, 20x14”

On North Chestnut Street (1976)

Watercolor, 16x12” (Sold)

From "Graven Image" by Ray Garton (2007)

Acrylic Polymer & ink, 8x10”

Dromara (2008)

Acrylic gesso & pencil on canvas, 36x36”. (NFS) .

The work of Robert Ryman always drew me in. I decided to do this minimalist painting as a nod to him. “Painting is material process. Painting has inherent physical limitations. Painting can be (almost) pure thought.”

Cellist (2009)

Watercolor, colored pencil & Ink; 5x7”

Twin (2013)

Watercolor, 20x14” (Sold)

Glass Study – in progress (2017)

Oil on canvas, 30x20” (Sold)

Glass Study (2017)

Oil on canvas, 30x20” (Sold)

Airplanes Are Up! (2013)

Acrylic & Ink; 11x8.5” (Sold)

No Wind (1975)

Acrylic on board, 32x32”; destroyed in a house fire.

Still Life Exercise (2015)

Oil on canvas, 30x20”. (Painted over)

Crime Spree cover edited by Deluca & Barker (2001)

Acrylic Polymer; 8.5x11”

Keezletown Road (2016)

Oil on canvas; 30x20” (Sold)

Daybreak (2015)

Oil on canvas; 30x20” (Sold)

Artiste (2009)

Watercolor, colored pencil & Ink; 7x5”

Two Stacks (2013)

Watercolor, 20x14”

Graveworm cover Tim Curran (2010) (NFS)

Acrylic Polymer; 8.5x11” My daughter posed for this. I changed her appearance quite a bit to suit the book narrative, of course!

Trylobite (2010)

Watercolor; 20x14”

Poor Charley Midwich (1973-74)

Acrylic polymer on masonite, 34x24” (Sold).

This painting was a near duplicate of an earlier unfinished painting I began in egg tempera while attending the Hartford Art School/University of Hartford. When I transferred to SUC New Paltz, NY in the Spring 1974 semester, the unfinished egg tempera painting was somehow lost in the move. Because I still had an interest in the original composition, I did it again in acrylic polymer, using the same painting techniques as the earlier egg tempera.

Soccer!

Ink and watercolor, 5x9”.

This is a portrait of my daughter at age 14. She just doesn’t know it!

Landscapes (2017)

Oil on canvas, 30x20”

Antennae (2019)

Watercolor, 20x14” (Sold)

Still-life Exercise (2016)

Oil on canvas, 30x20”. (Painted over).

Serpent Girl – Frontispiece for a Ray Garton novel (2004)

Acrylic Polymer, 8.5x11”. Thank you Paul Berthon.

Blue Glass (2015)

Oil on canvas, 30x20”. Another BSSS studio exercise, trying to relearn how to paint in oils. I have no idea what happened to this one. I sometimes gessoed over these exercises and did another painting on top. Perhaps that was what happened here.

The Boneyard (2019)

Acrylic polymer and ink, 16x22”. (Sold)

The cover for my novel-plus-two-stories of the same name.

The Landis Farm (2017) (Sold)

Oil on canvas, 48x36” A detail of a large landscape (farm buildings with Massanutten in the background) that for some reason I never took a final photo of before selling it except for this detail!

Down There (2018)

Watercolor, 20 x 14”. The cover image for my second story collection, Down There & Others, (Crossroad Press).

Autumn (2013)

Acrylic Polymer on canvas, 36 x 48”. A failed painting. I ended up gessoing over this to reuse the canvas/stretchers. You can see several elements of this painting in smaller landscapes I did after I returned to oil painting later in that decade. This canvas was eventually used in my large landscape oil painting “The Landis Farm”, which was sold at my second one-man show at the Wine-Riner Galleries in Harrisonburg, VA in 2019.

Afterlife

8x10”;acrylic polymer and ink. (2007?)

After The Burn

8x10”; acrylic polymer (2013)

The Howler (1996)

Acrylic polymer and india ink; (16x20”).

Dog Heaven (2010)

Watercolor; 10x8”. From Monkey Dog by Megan Miriello

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